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"Mom!"
"Mom!"
I kept yelling, but I don't think she heard me over the clunking of the
washer in spin cycle. Mom always said I had tired eyes. She didn't like the term 'lazy.' "Your
eyes aren't lazy, they're just tired."
I heard her steps on the wood floor and the familiar sound of the water
from the bathroom sink softly hitting the fresh washcloth. The faucet
handle squeaked as she turned it off. "I'll be just a moment."
The feeling of the cold water against my face tingled as my eyelashes
slowly un-cemented. At first, just a small gap of sight, but then the
gap widened until the only evidence that remained was a little bit of
sleep in the corners of my eyes. It seemed like it happened for a long
time, but time is relevant to experience. When you're five, the world
is vast. All I knew is that it happened every morning.
The moment I started school things got worse. Not only did I have to
contend with the morning ritual, I had patches.
The bottom of my plastic tote was filled with them. Not the kind you
sew on a jacket or on the gaping hole worn through the knee of your Sears-Roebuck
Toughskins, which were, by the way, guaranteed never to wear out, but
the brown, cloth-like optical patches that were more like eye-sized band-aids
than a corrective device. The doctor told mom that for the lazy-eye operation
to be a complete success, I would have to wear them.
Every day before entering Emerson Elementary School, we kindergarteners
lined up against the worn red brick wall, in order -- I was behind Jimmy
Peruski -- and I would look behind me, with my bad eye, to make sure mom
was out of sight. As soon as I was sure she was gone, I would slowly pull
the adhesive-soaked edges of the patch away, being careful not to pull
off any more of my eyebrow. I had gotten used to the cement factor, but
losing my eyebrow by this tortuous method was quite another matter.
Even at the age of five, I knew that, for all practical purposes, being
blind in one eye was not the best way to go through life. It's not that
I couldn't see at all. With the good eye covered, words on paper became
muddled black lines on a white background. Faces looked like blank patches
of white or brown with a sometimes nose or a Cycloptic eye and a swatch
of some color of hair on top -- depending on the amount of light, of course.
While my good eye revealed the big bright world, the bad eye revealed
the shadows. At home it didn't matter much, but at school it was disastrous.
Our class project the Thursday before Mother's Day was to create a construction-paper
card with a three-dimensional tulip sticking out of the front. I could
see just enough to be able to fold the paper, but Vickie, one of my classmates,
volunteered to do the rest of the work when she saw the tears in my eyes.
I would never outright ask for help on anything. The smartest girl in
class with two functional eyes, Vickie quickly folded the paper to form
the flower and wrote "Happy Mother's Day" beneath the red tulip.
Upon receiving the card not made by me, my mother was so ecstatic that
her one-eyed daughter made this lovely creation for her that I didn't
have the heart to tell her I didn't make it all by myself. It was the
first time in my life I ever felt guilty.
It became obvious that the band-aid patches weren't staying on long at
school when mom opened my plastic-handled see-through school bag and found
twenty-seven of them glued to the bottom of it. Better it than my eyebrow,
I figured. Mom tried to figure other things. It was at this time that
she tried to make wearing the patch a fun thing. Instead of ruining my
sight at school, she decided, with the doctor's permission, I would wear
the patch at home.
In keeping with the fun theme, she bought me a black pirate's patch --
the kind with the black elastic strap like the real pirates in red-striped
shirts wore on TV. It worked out quite well, for both of us, until she
realized that I was moving the patch to cover my bad eye so I could see
what I was doing. Sword fighting -- even with pretend swords -- can be
dangerous if you can't see.
We went round and round for the rest of that summer until it all came
to an end. My little sister was born and, all of a sudden, the status
of my eyesight did not seem so important. In fact, mom seemed to give
up. She didn't bother me about wearing the patch anymore. Perhaps she
figured that if I was happy with one good eye then that was good enough
for her. She never brought up the issue again for several years.
It was the mid 1970s. Elton John was singing about Jesus Freaks out in
the streets and my parents were two of the biggest ones you'd ever seen.
Dad's neatly trimmed mustache and goutee became an unruly mass of dark
beard, a fitting accompaniment to his faded blue jean overalls. He looked
like Grizzly Adams. Mom's hair continued its straight descent all the
way down to her waist. She wore it neatly tied back in a ponytail every
day and never wore a spot of make-up. It was part of the revolution. Part
of dropping from society and getting back to nature -- except for the
fact that we lived in a working-class neighborhood in northwest Detroit
and dad worked on the assembly line at Ford six days a week. But they
had aspirations.
Attending church services had always been a sporadic event, something
set aside for holidays and whenever Mom felt the pressure from her parents
to give us a proper upbringing. Dad wasn't too much into attending church
until his younger brother, traumatized from his stint in Vietnam, purposely
drove his motorcycle into a tree at 70 mph. After that, he felt that we
all needed as much saving as we could get. Disenchanted with the Lutheran
church we attended, they packed us up one Sunday morning and took us to
the Lord's House. Unlike the Lutheran church, we didn't even have to dress
up. The dress code was to come as you are, because the Lord was interested
in our souls and not our clothes. It was a blue jean church -- the first
I'd ever seen, and that was fine with me.
The Lord's House consisted of two buildings. The first, a former Methodist
church from the 1800s, stood at the corner of a city intersection. This
church was reserved for the children's programs, most of which were held
in the basement. Upon descending the stairs, it smelled like mold and
old bathroom. One of the classrooms was unusable due to flooding, and
the restrooms did not work most of the time. Though an inconvenience,
folks worked around the problems and ran a fairly successful program.
The sanctuary upstairs was used for children’s events. After our
half hour bible story lessons, we went to the sanctuary for singing, puppets,
and prayers.
The adult sanctuary was in an adjacent building that had served as a
movie house during the Great Depression. Pews were nonexistent. Churchgoers
had the treat of sitting in individual movie seats made of wood -- no
padding to speak of. Many of the seats would creak as you sat in them;
some of them were unusable due to large cracks that had splintered off
sometime between last Sunday and 1935. Instead of having an altar, like
most churches, the Lord's House had a genuine movie stage. An old upright
piano was wedged up against the wall on the right, a small pulpit was
right up in the center, and behind the pulpit stood a drum kit, three
amplifiers, two guitars and a bass guitar. Above the stage hung a banner
-- a reminder -- with great white letters on a red background that read,
"For all have sinned and come short of the glory of God. Romans 3:23."
At The Lord's House we never sang a hymn. Church songs were sung to the
sounds of a full-fledged hippie rock band. We sang "Power in the
Blood" over and over again until churchgoers were ready to burst,
"There is power, power, wonder-working power in the blood of the
lamb. There is power, power, wonder-working power in the precious blood
of the lamb." Church leaders were from the old school where the repetition
of drill and kill was king, but no one seemed to mind with the skeleton
of free-form rock music to hold it all together. The crowd was progressively
hyped until they were at the brink of orgasm.
At least 500 of them stood in a static state of excitement. The air filled
with the overwhelming smell of perfume and cologne. They worked hard stomping
on the floor, clapping hands, and raising perspiration-soaked arms to
the sky shouting, "Praise the Lord," "Hallelujah!"
and "Praise God!" Then one strong voice emerged from the sea
of chatter, speaking a language that sounded Hellenic. Mom said it was
tongues. All eyes closed, and the air was heavy in anticipation of an
answer from God -- a translation of the sacred language. Sometimes an
answer came quickly. At other times, there was no answer at all. On rare
occasion, there would be two completely different answers. Regardless
of the answer, though, the response was always another five or ten minutes
of "Praise the Lords" because people were honored that they
were in His presence.
Brother John was an entertainer in preacher’s clothing who had
a gift for being able to sense exactly when to make an entrance. Once
God had spoken, his duty was to fill in the details. At the most opportune
moment, he would strut his way to the pulpit, his light blue denim leisure
suit soaked dark blue in strategic places. His shirt, unbuttoned to mid-chest,
revealed a four-inch long thick pewter cross on a thin leather strap matting
his forest of glistening black and gray chest hair. Mom and Dad believed in The Lord's House. They were accepted. There were
programs for the kids. It was the perfect place to get away from home
several times a week without having to hire a babysitter. We went to church
twice on Sundays, once in the morning and once in the evening, and on
Wednesdays. Tuesdays were strictly for dad because he got to lead the
song portion of the service on that day, though he always complained that
the best musicians never made it on Tuesdays, leaving him with drummers
who would lose the beat and guitar players who weren't quite sure when
to change to the next chord. But they loved his voice.
The best part about church was the fellowship room. Some days we spent
more time hanging out there than in the sanctuary. The fellowship room
was in the basement of the theater. After every service, coffee, tea,
and snacks were provided -- all by the generosity of members who donated
goods from week to week. I filled my pockets with mixed nuts -- a never-ending
free supply. I ate nuts while I learned the finer points of playing chess
from Mike, two years my senior. While our parents caffeined up and discussed
the Bible, Mike and I battled, re-dubbing our game 'suicide chess' because
we preferred knocking out pieces as opposed to making strategic moves
for check.
I grew to like the hippie church. I made friends, loved the music portion
of the service, and tolerated the thumping sermons. Except for the occasional
trip to the eye doctor to hear the usual, "Well, if she's OK with
it, then there's really nothing more I can do," my eye problem ceased
to be a problem. I was the kid with one good eye -- not the one with a
bad eye, or the one who's just about blind. Well, I was that kid until
one particular evening.
The Wednesday night prayer service was completely filled. Folding chairs
were brought in to help with the overcrowding, but attempts to seat everyone
were futile. I was safe in my chair, but I looked around and saw people
with crutches, others in wheelchairs -- it was like a hospital waiting
room. "Now, I want all of you who are in need of healing-ah, come forward.
Feel the spirit of the Lord-ah drawing on your heart-ah."
And they slowly began. There were so many, the space between the first
row and the stage, no more than six or seven feet, filled up quickly.
The brother moved from one person to the next, laying his hands on the
sick, looking toward heaven.
"May the healing power of Jesus-ah anoint you."
Behind the brother lay those for whom he had prayed -- flat on the floor
like Popsicle sticks glued together to form a makeshift life raft.
Then I felt a tap. It was mom. I don't know if the guilt of the last
several years had become unbearable or if she thought she would give it
one last-ditch effort, but she led me up to the front of the church.
I couldn't see much past the three or four feet around me because my
height fell short of that of the average ten year old, but the adults
surrounding me had their hands raised and were praying, some loudly, thanking
God and asking Him to bring his healing power.
The crowd in front of me parted, and Brother John came right up to me.
His glasses looked dark. When he smiled, a gold cap on his upper right
incisor sparkled against the drab yellow of his coffee-stained teeth.
He put his hands on my head. The smell of his bad cologne was overpowering
– enough to make you ill if you weren’t already. His sweaty
palm nearly covered my good eye, he prayed real hard. I closed my eyes
as tight as I could and I prayed to God the hardest I ever had in my life
-- harder than at Christmas and harder than when my great grandma died
-- and I knew something had to happen. Mom looked down at me and my tears told her the outcome.
Nothing. My left eye was exactly the same.
Brigitte Knudson is a musician, poet, and teacher. |
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